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Photo by Paul Mutino


The Bruce Museum, in downtown Greenwich, Connecticut, launched an unusual exhibition in 2014 entitled Being, Nothingness and Much, Much More: Roz Chast, Beyond The New Yorker. The show presented approximately 30 works by Roz Chast, an American cartoonist, best known for her contributions of cartoons and cover art for The New Yorker magazine. Included was a collection of eggs decorated by Roz Chast.

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Ms. Chast's painted eggs are decorated with her signature imagery that uses the pysanky tradition. Easter egg, or pysanky, decorating is an expression of traditional Ukrainian folk art. This tradition dates back to antiquity, when in attempting to understand creation, ancient people developed myths in which the egg was perceived as the source of life, the sun and the universe.

The Ukrainian pysanky was believed to possess an enormous power not only in the egg itself, which harbored the nucleus of life, but also in the symbolic designs and colors which were drawn upon the egg in a specific manner, according to prescribed rituals. The intricately colored eggs were used for various social and religious occasions and were considered to be a talisman, a protector against evil, as well as harbingers of good.

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Forbidden Language from Childhood

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Coffee and Confinement

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Roz Chast, now a Connecticut resident, was born in Flatbush Brooklyn, and graduated from the Rhode Island School of Design. Her cartoons first began appearing in New York City publications. Since the late 1970's her work has been featured frequently in The New Yorker, and in 1986 her work was featured on the cover of the magazine for the first time.

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Ms. Chast has written or illustrated more than a dozen books, including the just-released and critically acclaimed Can't We Talk About Something More Pleasant, a graphic novel and New York Times best seller which chronicles her relationship with her parents as they each approached the end of life.

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“I had always wanted to learn how to paint eggs… I saw at the time that it had real possibilities for transferring my stuff to it.” Many of Chast’s eggs play sophisticated games with perspective and space… the technique heightens a gently philosophical undercurrent that is only vaguely hinted at in the cartoon drawings, but more visible on her egg creations.

Something to look forward to…Eggs! See you next Sunday!

Something to look forward to…

Eggs!

Happy Easter.